Le livre de l'émeraude: en Bretagne by André Suarès
Okay, let's be clear from the start: if you're looking for a book with a clear plot where a hero solves a crime or wins a love interest, this isn't it. This book is a mood. It's a series of deeply personal, poetic impressions of Brittany from about a century ago. Suarès wanders. He observes. He feels. He gets angry and he gets wistful. The 'story' is the journey of his perception as he encounters the Breton landscape and its people.
The Story
Suarès travels through Brittany, and instead of just describing what he sees, he tries to capture what it means. He writes about the rugged coastlines, the somber skies, and the isolated villages not as scenery, but as characters. The real tension he explores is between the timeless, Celtic spirit of the place—proud, mystical, tied to the sea and stone—and the forces of standardization and modern progress coming from Paris. He listens for the Breton language, seeks out local legends, and mourns what he sees as a loss of unique identity. The book is his attempt to defend and preserve that identity through words.
Why You Should Read It
I picked this up on a whim and found myself slowing down. Way down. Suarès's writing demands that. It's dense and lyrical, but when you give it your attention, the payoff is a profound sense of place. I've never been to Brittany, but after reading this, I feel like I've stood on its windswept moors. What got me was his fierce empathy. He's not a tourist; he's an advocate. He's heartbroken by what's fading, and that passion bleeds through every page. It made me look at my own surroundings differently. What's unique about where I live? What's being lost without anyone noticing?
Final Verdict
This book is a specialized taste, but a rewarding one. It's perfect for readers who love travel writing that goes deeper than recommendations for hotels, for anyone fascinated by regional cultures and history, or for writers who want to see how language can be used to paint an emotional portrait of a place. If you enjoy authors like W.G. Sebald or the early essays of John Berger, where thought and landscape merge, you'll find a friend in Suarès. Be warned: it's not a breezy read. It's a book to sip, not gulp, preferably with a cup of something strong beside you, imagining the sound of the Atlantic on the rocks.
This work has been identified as being free of known copyright restrictions. It serves as a testament to our shared literary heritage.
Margaret Perez
4 months agoWow.
Logan Flores
1 year agoHigh quality edition, very readable.